About meI’m Rachel Huang, a Graphic Designer based in New York City and a student at the Fashion Institute of Technology. My work combines design, research, and cultural storytelling, often drawing inspiration from museums, historical art movements, and cross-cultural experiences. I enjoy creating concept-driven projects that explore typography, editorial design, and branding alongside my academic work and personal work.


       
Email
Resume
Instagram
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Education
FASHION INSTITUTE OF TECHNOLOGY 
2023 - 2027
Bachelor in Graphic Design

Associate in Communication Design

Minor in Art History


Employment
JORDAN NIKE (BOOK DESIGN)
INPROGRESS

THEFEES (BRANDING)
INPROGRESS

GEORGE BANG BANG (HOSTESS / SERVER) 
2026 - PRESENT
PPL (BARISTA)
2023 - PRESENT

WHITNEY MUSEUM FRENCHETTE (BARISTA)
2023 - 2026
Creative Skills
Graphic Design
Spatial Design
Type Design
Creative and Art Direction
Brand Identity
Editorial/Layout Design
Web Design
Advertisement Design
Package Design
Brand Application/Merchandise Design
Photography and Videography
Fashion & illustration


Technical Skills
Illustrator
Photoshop
InDesign
After Effects
Premiere Pro
Figma
Cargo
ReadyMag 

Language
English   
Chinese 

R.HUANG
DESIGNING 4A CHANGE
  


rachel huang

Based in New York 
Graphic Designer, Multi-media Designer, Photographer, Artist.   

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Vivienne Westwood
Spatial Design FIT (Fall 2024)
I chose Vivienne Westwood after envisioning the brand's orb logo as a three-dimensional installation. Research into its history, aesthetic, and values led to a sculpture of four stacked orbs—white, red, pink, black—each ringed like Saturn and set at a deliberate slant. 
 Built from polymer clay and mixed materials, the piece captures the brand's signature tension between tradition and rebellion, elegance and chaos, designed to function as both an in-store installation and the centerpiece of an advertisement poster.



AD 01
AD 02
Mesurements
Layout sketch
Layout 
The process began by shaping aluminum foil into balls as a base—light but strong enough to keep the structure firm. Polymer clay was layered over the foil, making it easy to shape and detail, then molded with an ornament to achieve a smooth texture. The foil core prevented the clay from collapsing or becoming too heavy under the fine detailing of the Orb, keeping the structure solid through handling and baking.
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